overview of my works
(video)
The Sound of dimension - Part II
for 8 pianos and live-electronics
( KOR )
[ logout( ) ] 은 질서의 단절과 전환, 그리고 이탈 사이에서 일어나는 미묘한 전이를 그린다. ‘반복’, ‘즉흥적 요소’, ‘인용’, ‘전자음향적 반응과 왜곡’은 이 흐름을 구축하는 핵심 전략이다.
작품 속에는 박다영 자신의 이전 작품(Die Geschichte der unendlichen Umlaufbahn)이 통째로 인용되어 자전적 기억처럼 반복되거나, 조각나 재배열된다. 여기에 바흐의 레치타티보와 슈톡하우젠 Klavierstücke의 파편들도 등장하여, 일렉트로닉스 안에서 왜곡되고 재해석된다.
미묘하게 유사성을 지니거나 서로의 브릿지가 될 수 있는 음악적 조각들은, 서로 다른 시대와 체계에서 생성되었음에도 불구하고 반복과 전이의 구조 안에서 새로운 관계를 형성하며, 질서의 경계를 시험한다.
이러한 흐름 속에서 *logout()*은 음악적 체계에서의 이탈을 단순한 종료가 아닌, 새로운 감각과 언어를 모색하는 여정으로 제안한다.
( ENG )
[ logout( ) ] traces subtle transitions that occur between rupture, transformation, and departure from established order. Repetition, improvisatory elements, quotation, and electroacoustic reaction and distortion function as key strategies in shaping this process.
The work incorporates her earlier composition (Die Geschichte der unendlichen Umlaufbahn) in its entirety, where it reappears like an autobiographical memory—repeated, fragmented, and rearranged. Fragments of Bach’s recitatives and Stockhausen’s Klavierstücke also emerge, distorted and reinterpreted within the electronic soundscape.
Musical fragments that share subtle affinities or act as bridges between one another—despite originating from different eras and structural systems—form new relationships within structures of repetition and transition, testing the boundaries of order.
Within this trajectory, logout() proposes departure from a musical system not as termination, but as a search for new modes of perception and language.
Die Geschichte der unendlichen Umlaufbahn, 2024
electroacoustic music
(fixed media)
Invisible Mapping
2021 - 2023
for blockflute, oboe, clarinet in Bb,
trumpet in C, violin, contrabass
and live-electronics
Performance - untitled
2021
performed in Museum für Kommunikation Frankfurt am Main
This work is an audiovisual work. The software used for this performance was designed to create graphics and sounds by controlling the boids.
The concept and the software were basically developed by Orm Finnendahl, and this piece was composed / performed by Dayoung Park and Florian Karl Enrique Briegel.
Gabel
for two violins or two violas or two cellos
2021
premiered by Lucie Chollet and Yiyang Zhao
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spectral space
for qr-code readable devices and live electronics
2020
This work is an attempt to blur the boundary between exhibition and concert. : Objects with qr code are installed in the performance hall. Audience can produce sound directly with the devices they use in their daily life, and there is also a live electronic interaction. Unlike general exhibitions, there is a guide who leads the exhibition rather than allowing the audience to wander freely. Through this, the time-based form of the work is naturally created.
Pierre Boulez - Anthèmes 2 (1997)
for violin and live electronics
2020,
performed as a electronic sound director
Heim-Weg
for piano, dedicated to all youth of the world
2018,
premiered in 2019
ARKTIS/ANTARKTIS
- FROZEN MOVEMENTS
2019
Caroline Rohde – recorder & concept
Ida Kaufmann – dance
Dayoung Park – composition & live-electronics
Photo by Björn Hadem
center or surround and center but surround
for cello and piano
2016, revised in 2021
© Dayoung Park